File Size: 1891 KB
Print Length: 580 pages
Publisher: Hackett Publishing Company, Inc.; UK ed. edition (March 12, 1997)
Publication Date: March 12, 1997
Peter Green states in the introduction that he is following in the actions of Lattimore, to preserve as much of the poem in Greek--wording, sentence construction, meter, therefore on--in British, but to also make it declaimable. It is a translation to be read aloud. Thus, it is also a problem to Fagles's translation, among whose virtues is how well it works as an audiobook.
To review, there are several major passage modern translations of the Iliad. Lattimore's is closest the original Greek, and for undergraduate work can substitute for the first well enough. There is the Fagles translation, in modern free verse, is wonderful to read aloud. The particular Fagles Odyssey was on Selected Shorts once, and for some time after I was adament that there was no other worthwhile contemporary translation of Homer. I swore by it. Lombardo's translation is pretty common in colleges as a result of price and the slangy presentation. And then there is Fitzgerald, which some swear by, but Fitzgerald's translation is reduce with the Greek and mannered and fey in its English. It even translates Odysseus as " Ulysses, " a sure sign that fidelity to the Greek is not worth the translator's trouble. I am missing others, I'm sure.
So let us begin at the beginning. In the Ancient greek language, the Iliad has " μῆνιν ἄειδε θεὰ Πηληϊάδεω Ἀχιλῆος" Quite literally, " Rage! sing goddess of the son of Peleus Achilles. " μῆνιν means, approximately, the anger that engenders revenge, rage, difficulty, anger are all okay to some degree. (It's complicated, an entire educational treatise is written on the meaning of the phrase. ) Green gives, " Wrath, goddess, sing of Achilles Peleus's son's [/ wrath]. " Fagles gives " Rage--Goddess sing the rage of Peleus's son Achilles. " Lattimore gives " Sing, empress, the anger of Peleus' son Achilleus. " Green and Fagles are right to put the first word first. This is poetry, after all, the order of the words matter, the first especially. The first word is the theme of the poem, the way it is directed first against Agamemnon, then toward the Trojan infections, and then tempered for a common moment of humanity, is the interior flight of the whole impressive. Wrath might be best of all, since it conveys that it must be anger in a sense that is unfamiliar to modern readers.
Once, in my second year of taking Greek, I was told that there was no use of literal goedkoop. Bring it far enough, and you wind up with a textbook about how to read the book in the original Greek. Make it into readable English, and you wind up with a host of compromises where thousands of close goedkoop might do. Go far enough you wind up with Girardoux's " The particular Trojan War Will Not necessarily Take Place, " useful on its own, but not really a " translation. " That professor preferred Fitzgerald, but easy for her to do, the girl could read anything in Greek without the help. For people mortals with mostly overlooked Greek, or no Ancient greek language whatsoever, closeness to the original in a translation should be treasured.
Within the end, translating Homer is a game of compromises, How much of the strangeness of 2300 year old lines and 3200 year old motives do you keep? Dactylic hexameter calls for lines much longer than any form of English passage, so shorter lines or not? And so on. For me, Fagles is as far to bargain with how English passage should go as We am willing to take. For what it's really worth, Lattimore's English verse is better than his critics complain of.
Beginning from no knowledge of Greek, I'd choose Green. Over Lattimore because it can friendlier for the newbie and not worse as far as I can tell for a significant 3 rd reading. Over Fagles because the true-to-the-Greek line lengths convey the way the poem drives itself ahead better in Green's range by line than in Fagles's free verse.
Furthermore. The introduction includes a plot summary of the whole Trojan War, of which the Iliad only addresses a tiny portion. I have never seen such a succinct and complete synopsis before. Additionally there is a synopsis of the poem keyed to the poem in the back matter to help find your place, an enlightening glossary of titles and concepts to help you through your first read, and footnotes to inform the reader of context that has since been lost.
Word to the wise re: Kindles. These are long passage lines. To get complete lines on the Kindle display screen, you require a Kindle that allows text to display in landscape mode. Even then, complete lines only work in a very small font size. Get this in hardback for now. The hardback is stitched and bound to keep, so it is really worth your money., This is simply not a book review, but a warning: there is a technical problem with this web page. I received another translation than the one shown here, and apparently the page changes randomly (since someone else claims this is the page for buying a copy of the Iliad! ). I have reported the situation and it is being investigated. Because you can't leave an evaluation without a star ranking, I've using one star with this warning. That's no reflection on the guide described here, which We hope to purchase once Amazon corrects this problem. I know this is an uncommon use of book reviews, but I think it can important for people that if they purchase from this page there is not any telling what they might receive. We will delete this once the situation is solved,, It can great to have the Lattimore translation available on Kindle, but there are drawbacks. The biggest is the awkward coupling of words that are plainly intended to be one word. "Offended" becomes "off ended" regularly, for instance. "Craftsmanship" is "craft smanship". This seems to be finished the sake of lines that are divided in two because it is apparently impossible to fit an entire hexameter on one line (is this different on other Kindles? My very own is a first generation. I'd be curious to know). But even if you modify your font to get because the line on one line as possible, this two syllable word (and others) are still damaged into two separate words, creating a false archaism. In words of the layout of the web page, you always ending up at least a tiny section of the hexameter range indented beneath the range which it began, and therefore the poetry "flows" differently. Of less concern, nevertheless still a problem, there is no hard work made to reproduce the fonts for the headings of each book, either., Right after considering all the goedkoop out there I satisfied with this one. It has a wonderful rhythm, the language is fluid, it draws you into it. Unlike so many other translations, where I experienced I would drift off, here I felt like I was sitting at a concierto of the Iliad in a ancient Greek city and couldn't wait for it to progress, never mind We knew the story.
It comes with an incredibly helpful and interesting glossary. I also really appreciated that the names are in their Greek spelling and not latinized, which your Fagles translation still does.
Now i'm going to reread it soon, it was simply so enjoyable.
I can only suggest this translation, I experienced it was the closest I really could come to experience the Iliad in the original., I do not recall ever having to read the classics in school so I determined to educate myself and read them on my own, (much) later in life. I appreciate the translation of this release, it is quite easy to read, although it plainly is not in any way " an easy read, " but I find the history drags on unnecessarily with battle descriptives and discussion repetitions. My husband ensures me that when he read it at school there were unable so many details, and I can't say if that's his recollection or if his memory is accurate, but that is the something that fairly bothers me about this book. I won't deny that there were paragraphs in the book, particularly during fight scenes, where I have skipped over sentences to get to the unfolding morale.
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